The recently concluded NAB Convention was, as always, interesting at the very least. Like most NAB’s, this one saw new products, updates of existing products, a lot of flash, some new faces, and a lot of old familiar ones. One can go to NAB and other trade shows and look at products, both existing and [...]
Postworld
post production in the file based ageBrowsing Posts in Film and TV
So, continuing along with this year’s Fearless Forecast, let’s look at the 4 major categories I spelled out in part 1.
Well, first I have to cop to being a bad boy and remaining absent from the blog for far too long. Haven’t really had a lot to say that I haven’t already said in various posts in various places, but I didn’t mean to stay away quite this long. And that said, the first order [...]
With the 2011 pilot season now completed (network pickup and schedule announcements will happen this week), it seems a fitting time to talk a bit about television pilot season, how it works, how it doesn’t work, how things have changed in the last few years, and how those of us who are involved get through [...]
There has been a good deal of talk about the IIF/ACES system, but there seems to be a lot of misunderstanding as to exactly what it is. A lot of the early talk centered around the proposed file format to contain ACES information, but the file format is only a very small part of what [...]
In Part 1 of this year’s forecast, we looked at cameras and production trends. In Part 2, we’ll concentrate on post production, distribution, and technology. In 2010, the appearance of Blackmagic’s DaVinci Resolve on the Mac at an unheard of price point was probably the single most significant event in a year that also saw [...]
In doing another Fearless Forecast for the coming year, I re-read my previous forecast (posted exactly a year ago) just to see how I did. In a nutshell, not bad. Here are some things I predicted and how they actually turned out:
In reviewing Part 1 of this article, I did notice that I left out one of the more important “pros” of the Baselight system, and that is its directly integrated support for the Truelight color management system. Truelight, like Baselight, is a Filmlight product, and Baselight is designed around the use of that technology for [...]
There seems to be a lot of talk these days about color grading, and a lot of it seems to revolve around what system represents the best solution given a particular set of circumstances. In a lot of these discussions, there seems to be a lot of attention paid to using general purpose platforms, such [...]
As someone who’s worked in network television for a long time, it seems strange to be wrapping a season of a show – let alone two shows – in September. Throughout the medium’s history, seasons have traditionally begun in September, with production commencing in July. But in recent years, the growth of cable networks as [...]
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